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What happens when Shakespeare’s Othello is transposed to a suburban Washington middle school in the 1970s? Let’s find out.
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A Ruff Reads Special Event on the 25th Anniversary of the premiere of Harlem Duet
Supported by Toronto Fringe.
There have been many theatrical adaptations, reinterpretations, and explorations of Othello over the years, including this legendary Canadian play which premiered 25 years ago.
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Our vision for Shakespeare in the Ruff begins with our collective leadership model: five artists from different intersections bringing different perspectives to Shakespeare’s plays, and the great big question of why we (and so many others) keep doing them.
“I started rehearsing Prince Hamlet when my daughter was 7 weeks old” has become something of a badge of honour for me. Pregnant artists ask me about it. New parents marvel at it. I look back at it from where I am now and it seems impossible. But that’s because now things are way harder.
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A small but important thing on our New Leadership To-Do List was to rename Ruff’s levels of giving. The original names, which had been around since the company was founded, had an implicit hierarchy that we wanted to move away from. We’re grateful for any donations, of any size – it’s all equally valuable to us – and we wanted the new names to reflect that. We also wanted to move a little farther away from the Shakespeare part of our name, and a little closer to the Ruff.
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Shakespeare in the Ruff is seeking applications for an Education Coordinator to join the Artistic Leadership Collective and company to guide the Youth Development and Outreach Program, focusing on the Young Ruffian Apprenticeship Program (YRAP). The role of the Education and Outreach Coordinator is to lead with passion, dedication, and a desire to create meaningful and vibrant programming for youth.
The contract runs from February 1st, 2022 to October, 2022 with an increase in activity in March/April and July/August.
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We had the opportunity to officially meet you at the 10th Anniversary Fun(d)raiser back in May but we wanted to take this opportunity to dig a little deeper. Below we answer some of the questions we didn’t get to at the event and re-visit some of our favourites.
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Over the last few months, protesters around the world have been fighting against the systemic racism and violence in our society. We stand with these protesters, and amplify the message that Black lives not only matter, but are valuable and vital. We stand with the movement to fight for a better, more just world for Black People, and recognize that the fight against white supremacy is deep, on-going, and crucial. We are all needed in this movement, and inaction is not an option.
We have spent the past months reflecting on what it means to run a theatre company using the not-for-profit model, magnifying shakespeare. We are interrogating the harm we have caused Black and Indigenous Peoples – the pursuit of a liberated world stands hand in hand with demanding justice for Indigenous Peoples. As a company that produces shakespeare, we are complicit in upholding the supremacy of the white Western canon above any other. Our pursuit of de-centring whiteness needs to go deeper, and we are – and will continue to – examine our mandate, our organization, and our place in the community. Changes, big and small, are necessary, and will be embedded into the company fabric. We are not looking for easy answers or quick fixes, we are in the pursuit of radical justice and peace.
Some of these changes you will see publicly, and some you may only experience if we have the pleasure of working together. What’s important is that these changes occur. We must do better.
One vital part of this process is to open a direct avenue of communication with our leadership and Board of Directors. If any members of our community have questions, we would like to engage in a conversation. If any members of our community would like to discuss past experiences you’ve had with Ruff, in any way, shape, or form, we would like to hear from you. To reach Ruff’s Co-Artistic Directors Eva Barrie and Kaitlyn Riordan, along with Board members Cecile Peterkin and Dasha Peregoudova, email us here. For messages directed exclusively to these two Board members, use this contact form, which, if you choose to do so, can be used anonymously. Any request for confidentiality will be respected.
We want to thank the Black and Indigenous artists who have been fighting this fight for years. We hear you. We support you. Thank you.
We are inspired by and want to thank the countless individuals who are organizing protests, occupies, and artistic expressions to make our city more safe, more vibrant, and more free. That is the city we want to live in, and create art in. Black Lives Matter Toronto, Not Another Black Life, Toronto Prisoners’ Rights Project, Air Rising Collective, and so many more, from the bottom of our hearts, thank you. Please follow these groups on social media to help find a way you can support them.
We recognize these moments are challenging, but we believe that the work we do today, will prepare us for a better tomorrow. And a more just tomorrow is something worth fighting for.
Sincerely,
Eva Barrie & Kaitlyn Riordan
Co-Artistic Directors
August 11th, 2020
Shakespeare in the Ruff is thrilled to announce our summer show: A Midsummer Night’s Dream! This is a play that we’ve had our eye on since the beginning, and we’ve finally found our “Dream” Director. We are happy to welcome Megan Watson!
Megan is the Artistic Associate at The Grand Theatre in London. She has run their High School Projects for the last two years (2016: Julius Caesar, 2017: A Shakespeare Mixtape) and is building their new play development program: Compass. In 2018, she will be directing The Glass Menagerie.
Megan on Midsummer:
“For me, both professionally and personally, 2016 rang out as a call to action. A call to be more political, more articulate and more fierce with my intention to create theatre that is part of a solution. The American presidential election has foregrounded hate and fear. As we feel the ripple effect of that in our own communities, we are required to take a closer look. Specifically for me as a theatre artist, this means taking on the systemic gender and racial inequality that our canon and traditions uphold. How do we take Shakespeare’s plays, which on one hand contain an unparalleled expression of the human experience and on the other, when not approached critically, serve as a platform for misogyny and racism? This has always been my struggle when staging Shakespeare and I am more committed than ever to take on that challenge in this volatile social and political climate.
In following Ruff for the last five years, I have seen them cultivate a clearer and sharper sense of who they are and what kind of ‘Shakespeare in the park’ company they strive to be. Reinventing and innovating the classics and specifically Shakespeare seems to be a common endeavour. However, Ruff approaches this with a fearlessness that is unmistakable in their productions. Their practice of taking Shakespeare’s plays and mining them for humanity and beauty – while blowing open and leaving behind the parts that perpetuate archaic and negative stereotypes – is why I am thrilled to join the company this season. I want to stage plays that reflect the world I want to work, live, play and love in.
And so we began the process of selecting the right play for the 2017 season. Kaitlyn and I visited the park together and she shared stories about the Withrow and Ruff community. I thought back on the magical experiences I have had there: setting up my picnic blanket, snuggling in close with loved ones and being transported. Even as we considered Shakespeare’s more overtly political plays, A Midsummer Night’s Dream kept surfacing as the right choice. With the barrage of negative media coming at us, it became clear to me that our best offence against all this HATE is to fight back with LOVE. With this in mind, our production of Dream will be a wild celebration of what is possible when we set ourselves free, believe in magic and plumb the depths of our psyche to discover more about who we really are. Suddenly, in 2017 it seems radical to believe in and pursue love, magic and beauty.”
A Midsummer Night’s Dream runs August 15th through September 3rd, 2017 in Withrow Park. All performances are Pay What You Can and more details can be found on our website soon.