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Ruff News

Long live the King!

By | Announcements

(Alex McCooeye writes about reprising his role as Richard III this summer, with Shakespeare in the Ruff, in Toronto’s Withrow Park)

It’s been five years since Diane D’Aquila directed my fellow classmates and me in Richard III at The National Theatre School. Time flies when you’re murdering royalty. And although it was an incredibly fulfilling experience for all involved, Diane and I have never been able to shake the idea of performing the play again, but this time, outdoors.

Ms. D’Aquila, who has previously played both Margaret and Queen Elizabeth at The Stratford Festival, will be playing The Duchess in our production (she’s too old for Ann now (I mean that respectfully)), has the rare ability to change the entire outcome of a scene with a slight shift in stress, or intention, or focus. During our time together at NTS, we spent as many hours uncovering the play as one might spend digging bones out of a parking lot.

Bad joke.

But one day, late in the process, when inspiration was at a low, and our minds were full of iambic pentameter, or prose, or who cared what the difference was, we were kicked out of our rehearsal room (probably because of those loathed French students (mes intentions sont respectful)). And so we were forced to do a run-through of the play in Laurier Park about 3 blocks down from the school.

Then everything broke wide open.

We had already been thinking of it as a young person’s play. A youthful royal, treacherously battling his way through the old guard to get to the top. But young people can run, and a park allows for running. A lot of it. I stood in the middle as a murderer chased my brother across a baseball field, or a messenger ran over a hillside, or my trusted sidekick cursed me from across the street. All of this chaos with one man at the centre of it, canoodling with the audience all the while.

This is the experience that we’ve been chasing since that fateful afternoon five years ago, and with Shakespeare in the Ruff, we’re bringing that to Withrow Park this summer. We’re dying to share it with you, or should I say murdering?

Final bad joke.

(a sneak peak of Alex inhabiting the hunchback King in our second season announcement video below)

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Ruffing It: Coffee & a Scroll

By | Events

Five days to go until our second annual experiment in Elizabethan original practices. Which practice you may be wondering, and that is of rehearsing, or not rehearing to be more accurate. Very little formal rehearsal was ever recorded in Elizabethan times, the common thought was that it was more of a trial by fire setting where actors learned their ‘roles’ in isolation, with only their lines and their cues to work with, written down for them on a scroll (see our modern, computer aided version above).

For many reasons, only one full copy of the script existed, kept locked up in the theatre vault, and only accessed in a pinch.  “Most notable, every part of every play mounted in the period was written out on a separate scroll. Only one of these remains from the period for the professional theatre-but thousands of these must have existed at one time.” (Cognition in the Globe by Evelyn B. Tribble)   Sunday night, at the Monarch Tavern (12 Clinton St), we will be continuing our exploration of this method of preparation with Ruffing It, this year with battle scenes…should be a riot.

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