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April 2014

Shakesbeers Showdown 2014

By | Events, Shakespeare | No Comments

AJ Richardson, Ruff’s resident dramaturge extraordinaire, actor and notorious beer-guzzler participated in an event last weekend that brought together two of his favourite things: brew and the Bard. Competitors from six local Shakespeare companies (who knew there were so many?) came together to see who could best cold-read the First Folio (the first edition of many of Shakespeare’s plays published in a single volume, in 1623). Whenever an error was made, beer was consumed. Even without a line flub, beer was consumed. It was a fierce competition, and with Ruff as the 2013 reigning champions, the pressure was on…

In conjunction with many other worldwide Shakespeare events (celebrating his 450th birthday last week), The Shakesbeers Showdown of 2014 in support of Spur-of-the-Moment Shakespeare Collective’s Julius Caesar Project was a collision of Indie Shakespeare All-Stars at the Mây (876 Dundas West), who kindly donated the competitors’ beers with special guest Jessica Speziale providing rock music between rounds!

Spur-of-the-Moment, #Gamefaced by Luisa Zhu and Clare Blackwood, was the only team to be comprised entirely of women – perhaps this is a taste of things to come with their production of Julius Caesar later this summer. Last year’s runner-up, Scott Moyle of Urban Bard, brought a secret weapon in the form of new teammate Mel Hrymak. Humber River Shakespeare sent out Sara Moyle and the very sportsmanlike Steve Coombes. Shakey-Shake & Friends were represented by Shakey-Shake himself and his friend Len (handled by Tom McGee and former Guerrilla Ruffian Shakespeare Squad Captain Kyle Shields, respectively). Shakespeare Bash’d’s James Wallis and Julia Nish-Lapidus did their best to lure my teammate, Jesse Griffiths, when it was revealed that I left the ruffs (our uniform) at home. Luckily, thanks to a special delivery, they showed up in the nick of time and we were ruffed! But after Jesse was eliminated in a precarious first round match up which saw the other two readers advance, the pressure of bringing back the back bacon fell squarely on my shoulders. I was back, of course, to defend my title as last year’s champion.

Shakesbeers

AJ Richardson & Scott Moyle compete in round two

After being defeated fair and square in the first round by Spur-of-the-Moment’s Luisa Zhu, I magically found myself competing in the second round!?!  In a rematch of last year’s finale, Scott Moyle and I were both whistled for mistakes twice by the ump, Susan Bond.  I, ever the sportsman, actually took three drinks after calling myself out on an otherwise grey-shaded reading. Urban Bard, of course, only deals in black and whites, and it was Scott who advanced to the final round only to be defeated fair and square by Luisa Zhu as well.  I was beaten by the winner. (I was beaten by the dude I beat before and was thereafter beaten by the winner.)  I joked with them that Spur-of-the-Moment defeated me so seriously, I was going to end up in the hospital. And in a way, I will.  This fall, I’ll be directing their Shakespeare-in-Hospitals Program!  So, I think I can still say I was on the winning team.

2014 Season Announcement

By | Acting, Cymbeline, Shakespeare | 3 Comments

Ruff’s Artistic Director, Brendan McMurtry-Howlett, will be directing the company’s third show in Withrow Park; Cymbeline

Right, so after an obscure comedy like Two Gents, and a dark twisted play like Richard III, it perhaps would have made sense for us to do a really nice production of Twelfth Night. And believe me, we thought about it. But one of the things we keep talking about at Ruff is our desire to take the risks that we wouldn’t be able to take if we were running a big operation like Stratford, with millions of dollars at stake. Ultimately we just want to have fun, and believe me Cymbeline = Crazy-Amounts-Of-Fun.

I was also incredibly baffled by this play when I first read it. Through the lens of the psychological dramas Shakespeare is famous for, Cymbeline appears to be some freakish accident by a senile playwright past his prime. The scope of the play is huge – many seemingly disparate plot lines, huge characters, and one improbable event after another. Really, it’s totally crazy. But writing Shakespeare off as past his prime seemed too easy – he was only 46 when he wrote Cymbeline, and this play, along with Pericles, marked the beginning of what seems to have been a very intentional shift in style and content of his playwrighting, now grouped together as the Romances. It seemed to me that he was evolving past the naturalism that we now revere him for and into something more sophisticated and intuitive, loosening up his verse and creating epic, larger than life stories.

And then, fortuitously, I went to a cold-reading of Cymbeline by the wonderful group The Howland Company and in the discussion afterwards, as we tried figuring out what the hell was going on in this play, someone brought up Picasso and Cubism. Picasso was the son of a naturalistic painter and from an early age had mastered his father’s craft. Having perfected this he moved on to explore a new form of expression and ended up with Cubism – reality viewed through a sort of prism. I found this an exciting way to look at Cymbeline – a piece created as an exploration of new forms of storytelling, a kind of theatrical Cubism. It was after this that I knew I wanted to direct this show, and that it was the perfect choice for Shakespeare In The Ruff

But if I’m being honest here, the real reason we chose Cymbeline was because of the mind-blowing stage direction: Jupiter descends in thunder and lightning, sitting upon an eagle. He throws a thunderbolt. Mother f#%*ing Jupiter on a mother f#%*ing Eagle!!!!!!!!!!!!!!!!! See you in August in Withrow Park.

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This is the simplest version of a Synopsis I can come up with: Imogen, a princess, gets married to her lover in secret against the wishes of her father – King Cymbeline. Her husband is banished and she flees the kingdom to join him, but in the meantime her husband has been tricked by a crazy Italian man into thinking Imogen has been unfaithful and he now wants her dead. All of a sudden the outbreak of war throws everything into chaos and the couple must survive until everything is made clear and they can be reunited. This doesn’t even included men hiding in chests, the evil step-mother, beheadings, long-lost brothers, prophesies, and the deus ex machina. A more complete synopsis can be found on Wikipedia.

Suppressed panic; Ruffing It from an actor’s perspective

By | Acting, original practices, Ruffing It, Shakespeare | One Comment

Last October, we took our Original Practices Experiment to The Stratford Festival where company member Kaitlyn Riordan was working. Actors received a scroll with their lines and cues, were asked to memorize it all, not read the play, and then come together and perform it in front of an audience, having never rehearsed together. We began playing with this concept two years ago at our Season Launch party and a week from today (April 14th) we hold our third annual Ruffing ItActress Carmen Grant spoke to us afterwards about her experience last October and the mayhem of playing Elizabeth in ‘Henry VI, Part III’, having never spoken the lines to another actor before encountering an audience. 

Carmen GrantRuff: Can you describe the challenge of working this way?

CG: I found that learning the lines was the greatest challenge for me within this process. I felt excited by the mystery of the process, but the majority of the morning was spent in a state of suppressed panic! As you know, learning lines is so much more than just memorizing words on a page. The motivation and objective of a character comes from what’s being sparked within their human impulses and, more often than not, a cue comes well before the other actor reaches the end of their line! But with only four words as a prompt (sometimes less!), the context of what I was saying was not clear. So, I would say my biggest challenge was learning the lines without knowing the entire text.

Ruff: How was it different from your normal process?

CG: My normal process is to read the entire play over and over again, so that I understand the story implicitly before I attempt to memorize my lines. That way, the lines I have to speak are already imbued with an understanding of not only my character, but the other characters in the play, how I feel about them, and the world as a whole. I usually find that by the time I’m on my feet in the rehearsal hall, I know the lines so well, I can almost forget them and am able to respond to the other actors in the scene by simply listening to what they are saying. The cues in their lines jump out at me more easily that way and the need to listen in a state of panic is removed! On the other hand, that’s part of what was exciting about it. The need to listen very hard to what the other actors were saying made for edge-of-your-seat presence onstage.

 Ruff: What surprised you most on the day?

CG: When I realized that George wanted Elizabeth as his wife, I had already made the choice to seduce Edward whole-heartedly … and it could have been REALLY interesting to play with the idea that Elizabeth actually wanted George as much as he wanted her and NOT, in fact, Edward – as the brothers’ text seems to indicate.

A Thing or Two About Shakespeare

By | Acting, Events, Shakespeare | No Comments

We, here at Shakespeare in the Ruff, come across a myriad of Shakespeare-related material. Every month we choose some of our favourites to share with you.

April 2014:

THING ONE

What are you doing to celebrate Shakespeare’s 450th birthday this month? If you haven’t made any plans yet, consider heading to Stratford-Upon-Avon for the annual celebration that’s likely to be bigger than ever on this milestone year. This might be the one event where our ruffs would fit right in.

Join Shakespeare’s birthday party

THING TWO

If you’re not into celebrating the birthday of a man, long dead, then celebrate the coming together of two of our favourite things: Hamlet and Benedict Cumberbatch. The rumours have been substantiated and he’ll be playing The Dane at London’s Barbican Theatre in 2015.

AND ANOTHER THING

If you haven’t seen celebrity impressionist, Jim Meskimen, perform Clarence’s speech (from Richard III), don’t wait another minute – it is nothing short of brilliant. He’s aiming for 1 million views and is only about 30, ooo views away from reaching his goal. Let’s help him get there!

[youtube_video] j8PGBnNmPgk [/youtube_video]

 Our personal favourite is Woody Allen – such an unexpected and hilarious match.